Movies:
The following movies provide venues to discuss specific subjects and themes related to ‘1968’ in Europe:
1960-1980:
- Alain Resnais, “Night and Fog” (1955)
- Bernardo Bertolucci, “Prima della rivoluzione” (1964), “The Conformist” (1970)
- Marco Bellocchio, "Pugni in tasca" (1965)
- Pier Pasolini, "Love Meetings" (1965)
- Jean-Luc Godard, "Alphaville" (1965), “Masculine feminine” (1966), “Week End“ (1967), “La Chinoise” (1967), "Sympathy for the Devil" (1968)
- Louis Malle, “Viva Maria!” (1965), “Lacombe Lucien” (1973)
- Michelangelo Antonioni, “Blow Up” (1966), ”Zabriskie Point” (1969)
- Gualtiero Jacopetti, Franco Prosperi, "Africa Addio" (1966)
- Gillo Pontecorvo, “The Battle of Algiers” (1966)
- Milos Forman, "Loves of a Blonde" (1966), “Hair” (1979)
- James Clavell, “To Sir, with Love” (1967)
- William Klein, “Mr Freedom” (1967), “Grand soirs et petits matins” (1968/78)
- Mike Nichols, “The Graduate” (1967)
- Grisha Ostrovski, "Otklonenie" [Sidetracked] (1967)
- May Spils, “Zur Sache, Schätzchen“ (1967)
- Vilgot Sjöman, “I am Curious (Yellow)” (1967), “I am Curious (Blue)” (1968)
- Andy Warhol, “Lonesome Cowboys" (1967)
- Tomás Gutiérrez Alea, "Memories of Underdevelopment" (1968)
- Octavio Getino and Fernando Solana, “The hour of the furnaces” (1968)
- Jan Nemec, "Oratorio for Prague" (1968)
- Roger Vadim, “Barbarella” (1968)
- Paul Morrissey & Andy Warhol, “Flesh” (1968).
- Jack Cardiff, “Girl on a Motorcycle” (1968)
- Stanley Kubrick, “2001 Space Odyssey” (1968), “A Clockwork Orange” (1971)
- Emile de Antonio, “In the Year of the Pig” (1968)
- Alexander Kluge “Die Artisten in der Zirkuskuppel: ratlos” (1968)
- Zelimir Zilnik, "Nezaposleni ljudi" [10 minutes](1968)
- Dziga-Vertov Group [Godard/Gorin], “Un film comme les autres” (1968), “One plus one” [alias “Sympathy for the Devil”] (1968), "Pravda" (1969), “Vent d”Est” (1969), “Lotte in Italia” (1969), “Tout Va Bien” (1972)
- Rainer Werner Fassbinder, “Katzelmacher“ (1969), “Warum läuft Herr R. Amok?“ (BRD, 1969)
- Dennis Hopper, “Easy Rider” (1969)
- Costa-Gavras, “Z” (1969)
- Elio Petri, “Inquiry of a citizen above suspicion” (1969)
- "Lipanjska gibanja" [June Turmoil] (1969)
- "Rani radovi" [Early Works] (1969)
- Peter Zadek, "Ich bin ein Elefant, Madame" (1969)
- Lindsay Anderson, “If...” (1969)
- Christian Marquand, “Candy” (1969)
- Arthur Penn, “Alice’s Restaurant” (1969)
- Hy Averback, “I Love You, Alice B. Toklas!” (1969)
- Andrzej Wajda, "Wszystko na sprzedaz" [Everything for Sale] (1969)
- Arthur Hiller, “Love Story” (1970)
- Gleb Panfilov, "Nachalo" [The Beginning] (1970)
- Marek Piwowski, "Rejs" [The Cruise] (1970)
- Arthur Penn , “Little Big Man” (1970)
- Bob Rafelson, “Five Easy Pieces” (1970)
- Nicolas Roeg, “Performance“ (1970)
- Stuart Hagmann, Irwin Winkler: “The Strawberry Statement“ (1970)
- Mike Nichols, “Carnal Knowledge” (1971)
- Hal Ashby, “Harold and Maude” (1971), “Shampoo” (1975)
- Bo Widerberg, “The Ballad of Joe Hill” (1971)
- Dezsö Magyar, "Agitátorok" [The Agitators] (1971)
- Rosa von Praunheim, "Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt" (1971)
- Bernardo Bertolucci, "Last Tango in Paris" (1972)
- Thanasis Renzis and Nikos Zervos, "Black-White" (1973)
- Rene Vienet, "La Dialectique peut-elle casser des briques?," [Can dialectics break bricks?] (1973)
- Bertrand Blier, “Les Valseuses” (1973)
- Norman Jewison, “Jesus Christ Superstar” (1973)
- Guy Debord, “The Society of the Spectacle“ (1973), “Refutation of All the Judgments, Pro or Con, Thus Far Rendered on the Film The Society of the Spectacle“ (1975), “In girum imus nocte et consumimur igni“ (1978)
- Jules Dassin, “The Rehearsal” (1974)
- Franc Roddam, "Quadrophenia" (1975)
- Ken Russell, “Tommy” (1975)
- Serge Gainsbourg, “Je t'aime moi non plus” (1976)
- Gillo Pontecorvo, "Operación Ogro" (1979)
1980-Present:
- Margarethe von Trotta, "Die bleierne Zeit" (1981)
- Larence Casdan, “The Big Chill” (1983)
- Julien Temple, "Absolute Beginners" (1986)
- Philip Kaufman, “The Unbearable Lightness of Being” (1988)
- Louis Malle, "Milou en mai" (1990)
- Oliver Stone, “The Doors” (1991)
- Andonis Kokkinos, “End of an Era” (1994)
- Ang Lee, “The Ice Storm” (1997)
- Costas Kapakas, “Peppermint” (1999)
- Robert Greenwald, “Steal this Movie” (2000)
- Lukas Moodyson, “Together” (2000)
- Christian Petzold, "Die innere Sicherheit" (2000)
- Volker Schlöndorff, "Die Stille nach dem Schuss" (2000)
- Yorgos Tsemberopoulos, “Back Door” (2000)
- Christopher Roth, “Baader” (2002)
- Bernardo Bertolucci, “The Dreamers” (2003)
- Elisavet Chronopoulou, “A Song is Not Enough” (2003)
- Marco Tullio Giordana, "The Best of Youth" (2003)
- Hans Weingartner, “Die fetten Jahre sind vorbei” [alias "The Edukators"] (2004)
- Philippe Garrel, “Les Amants Réguliers” (2005)
- Emilio Estevez, “Bobby” (2006)
- Manuel Huerga, "Salvador (Puig Antich)" (2006)
- Achim Bornhak, "Das wilde Leben" (2007)
- Julie Taymor, “Across the Universe” (2007)
- Daniele Luchetti, "My Brother Is an Only Child [Mio fratello è figlio unico]" (2007)
Musical Documentaries: - The Beatles, "A Hard Day's Night" (1964), "Help!" (1965), "Magical Mystery Tour" (1967), "Yellow Submarine" (1968), "Let It Be" (1970)
- D.A. Pennebaker, “Don”t Look Back” (1967), “Monterey Pop” (1968)
- Albert & David Maysles, “Gimme Shelter” (1970)
- Michael Wadleigh, “Woodstock” (1970)
- Bob Smeaton, “Festival Express” (2004)
Documentaries:
For documentaries dealing with the individual countries, see Sources. For documentaries contextualizing ‘1968 in Europe’ with the history of the Cold War or the 1960s the U.S, please see the following:
Related Articles: - A.O. Scott, "The Spirit of ’68," in: New York Times (April 27, 2008)
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Movies